Fatal Contact (2006)

Really Surprised!

Entertaining from beginning to end, it maintains the spirit of the franchise while establishing it's own seal with a fun cast

Fanciful, disturbing, and wildly original, it announces the arrival of a fresh, bold voice in American cinema.

The joyful confection is coated in a sparkly gloss, bright enough to gleam from the darkest, most cynical corners.

I can't even begin to describe the sicky feeling I have after watching this movie. It should be worth starting by saying I wasn't even able to watch the whole movie in one go. I really don't know what kind of masochistic thought made me watch the rest of it in the first place.Sometimes I wish we could use negative ratings. This film is an insult to anyone interested in martial arts movies. Apart from the fact that most fighting scenes were visibly sped up, the last half hour doesn't even have any kung fu. The choreography was good and clearly the actors knew what they were doing. If they would have ditched the fast-forwarding and added more fighting scenes it would have been a lot better.And this brings me to the story... *sigh* This "movie" tried so hard to be a movie it inexorably turned into an epic fail. The characters have no depth and give no reason for what they are doing. They don't seem to be driven by any moral principles but they have philosophical dialog that is seemingly unrelated to the romantic-cheesy-dramatic plot.Fatal Contact is nothing more than a fatal blow to anyone's intellect.I never thought I'd say it, but now I wanna watch a Hollywood movie.

I can understand why some people didn't like this, but on the whole I think this was a far superior offering than a lot of kung fu (or however you feel better classifies this type of film) offerings I have recently watched.(I have been a long time fan of Hong Kong martial arts films, and I am trying to put this review in the context of both 70s/80/s classics as well as more modern takes on the genre. Also I have a wide ranging preference in kung fu films - from the serious, the comedic, through to plush high end productions.)This film does start slowly, and perhaps is more in keeping with Asian dramas for the 1st quarter of the film. And I can understand why that would not be rewarding for some viewers. But if you hold out a little, as time goes on is increasingly riveting.The plot, which tends to be incredibly thin in many martial arts films, is relatively rich. While, there are some guessable twists long the way, equally there are some surprising ones.Perhaps more importantly, the action is very well choreographed and it's lead a very strong fighter. I was really impressed by Jacky Wu's technique - I wouldn't have wanted to be on any of his punches or kicks, and it wasn't all fantasy fight (e.g. loads of wires) either.It is the momentary lapses in sentimentality that, for me, mark this down from 9 to about 7 1/2 (ish).In a nutshell: if you can get past the 1st part's (and occasional) lack of pace, this is a well put together, well choreographed film, with a strong lead and impressive martial arts.

I've watched a lot of HK action films... some are pretty amazing, many are guilty pleasures, and sadly a few are just plain awful. This one falls into the latter category. Fatal Contact is terrible, and not in that "so bad it's good" enjoyable sort of way. The writing is awkward, the acting is hollow, and the direction is stiff and joyless. Every scene is miserable. It's like someone made a backyard-grade production with half a normal film's budget. I don't speak Chinese, so I read the subtitles... which means I can be pretty generous with regards to the performances, especially in a martial arts film. When I can tell how flat and mechanical the acting is, even across the language barrier, you know it's pretty bad. The dialog is recited as if read from scribbled cue cards. Actors stare at nothing in particular, making nervous faces like they've just ad-libbed a bad line.. they even sometimes look at the camera. This may seem like a petty complaint for a silly action movie, but it really makes it impossible to enter into the film and feel any excitement.The script is similarly weak...dull, fragmented, predictable, preachy, and at times painfully misogynistic. Even for manic HK genre film, the tone is inconsistent. It seems to hit a sour note at almost every turn. I might have praised this film for showing illegal underground boxing matches in realistically mundane environments like old train stations, fluorescent-lit rented hotel conference chambers, boat marinas, etc, but somehow the lack of interesting locations or presentation often robs the scenes of any drama they would normally have. Instead, it just feels cheap and unimaginative.So what about the action? Jacky Wu has always been a competent martial performer, if not particularly engaging on a personal level, and the action sequences should be the highlight of this film. Unfortunately, the impact is consistently killed by bad editing and unexciting villains. The choreography is pretty dull and unexciting. Every confrontation is a disappointment. Granted, Wu does pull off a couple of sweet moves. Unfortunately I mean that LITERALLY... I think I counted them and there are about two. Wu is a proved talent, but this film is strong evidence that having good screen fighters is not enough to carry even a fun action cheapie if every other aspect of the movie fails.Notably Ronald Cheng DOES sort of portray an interesting character... I was hoping for him to become more significant in the story, but don't be fooled. NOTHING happens with this character. That goes Lam Suet and Ken Lo too, sadly. The familiar HK supporting faces in this film are no indication of its quality. I was under the impression that a Dragon Dynasty release would at least be worth a look. Don't waste your time... or if you must, skip to the fight scenes just to relieve your curiosity. Nothing else here is even remotely worthwhile.

The real reason anyone will see fatal contact is for the action. With that in mind, you may have to forgive a little bit of the jumpy and clichéd story telling.The action sequences are frequent, and well choreographed. It's an interesting combination of brutal and flashy. Wu Jing will throw several jumping multi-kicks, but because the general rhythm of the fights are captured well, it doesn't look too far fetched. The choreographers throw in some pretty believable elements in the competition fights. You may see the fighters just hop around a it to psych each other out, and you'll notice, the more brutal the fights get, the less visible these sportsman like elements become. It's pretty interesting. There's no wirework and very little, if any, video speed up that is flamboyant in some HK movies.Wu Jing really struts his stuff in this movie. I would say in general, he's very similar to jet li. He has this strange brutalness that jet li embodies in his roles with a modern setting. He looks wild, but clean at the same time. Wu Jing is younger, more vibrant, and he even has more flare than Jet Li. An actor like Donnie Yen has a different kind of appeal, but because Jet Li is getting old, and probably no longer doing action movies anymore, Wu Jing would make a superb replacement.The story has almost no introduction, no time to familiarize a little with the characters, and the actual revelations about the characters are sporratic and placed in seemingly random places. It has a terrible and nonsensical love story, which luckily, isn't the focus. The whole setup is pretty nonsensical as well. Some guys walk into an opera performance, and somehow recognize skill in a performer. They ask him to fight underground for them, and they offer a lot of money. Of course, a lowly wushu performer is poor, and he eventually decides he neeeds the money. The setup is all a little fantastical to me, especially with the realistic setting. I feel it would be more at home in an aime than a live action movie with a modern day setting. It helped a lot to almost imagine Fatal Contact taking place in some alternate universe where the underground fighting scene is big money, and the scouters are like pimps. A world where performers are poor, but incredibly talented fighters. It's almost romantic if you think of it that way. So the setting is bearable and kinda interesting if you give it some of your imagination, but the story is still hampered by tons of cheesy dialogue and that oh so corny romance.It's all about the action though, and that totally does not fail to disappoint. My favorite action movie in recent times is Sha Po Lang. The stories in both are at least a little cliché, but SPL had the cleaner, less sporratic story telling. It also had cinematography of a higher quality than Fatal Contact. Still though, Wu Jing and his action co-stars drive a really tough bargain. His moves are cleaner, flashier, and he's more vibrant than Donnie Yen. I almost can't decide of Fatal Contact trumps SPL or not.