Samba (2015)

An absolute waste of money

All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.

A film of deceptively outspoken contemporary relevance, this is cinema at its most alert, alarming and alive.

This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.

Samba Cissé (Omar Sy) is an undocumented migrant from Senegal living with his uncle in Paris. He's been in the country for ten years and is working in a kitchen. He's offered a contract and tries to apply for papers. He's quickly arrested and put in detention. Alice (Charlotte Gainsbourg) is a new social worker assigned to his case. He befriends Jonas who hasn't seen his fiancé Gracieuse for two years. He is ordered to leave France and allowed to walk out of the detention center. He befriends an Algerian named Wilson as he struggles to find work with the order hanging over his head.There are some funny moments of the social workers struggling to make sense of their clients. Omar Sy is a compelling presence. He has real charisma. This was released in 2014 but it feels like the news have overtaken the migrant issue. This movie is not all light and fun but it definitely does not take that issue to that level. Watching it only two years later, it feels very dated. This kind of comedy with touches of drama doesn't fit these dark times.

I walked out of the cinema with a smile on my face, I was entertained watching this movie. Samba is just like the dance, slick, emotional but also fun. Omar Sy and Charlotte Gainsbourg's rapport on film felt natural and wasn't overplayed all actors on this movie, do it justice. The reality of illegal immigrants is not what this movie is about this movie is about hope through 4 different main characters, Samba, Alice, Wilson and Manu, spotlight is on Samba and Alice, but you get a sense that really it's all about Samba and his survival in the urban jungle. Charlotte Gainsbourg gives a riveting performance, as a tortured soul in need of feeding and nurturing, at times filling the screen with her beauty at others looking so raw and in pain, it's all in her eyes and a gentle pitch in her voice, I don't think her voice has changed much since l'Effrontée ( she was 15 and that was 25 years ago!). Tahar Rahim was also very believable as Wilson, he has fun with this role, but never takes away from Omar Sy, good supporting actor's performance from him. The soundtrack is uplifting with the theme song To Know you is to Love you by Stevie Wonder with Syreeta, the melody punctuates the film throughout and you walk out humming it to yourself. The ending is french it's after all a french movie so no "fluffy, Hollywood,let's all live happily ever after ", cheesy ending for Samba. Just a natural conclusion, a blend of softness and release.

As some have noted before, it is a light-hearted movie on a serious topic (undocumented immigrants) but always respectful at that.I cannot quite agree with the reviewers that did not see the humor in this movie (I laughed about every three minutes throughout - expect towards the end - and sometimes even cried at the same time). Neither can I understand how people can say that the characters are flat or even "boring". Imho, the film succeeds in portraying them in not just black and white; each of them (and there are many!) evolves within the 120 minutes so much so that, in fact, it is not about the immigrants being the "angels" and the immigrant officers being the "devils" at all. On the contrary, lines are blurred very early on and especially in the end.I find that this is a worth successor of "Untouchables"; I probably even prefer it. It is a very moving film (similar to the documentary "l'Escale") but without trying to be so. Also, the actors are brilliant! (Omar Sy, I think, even manages to mimic a Senegalese accent.)

If this was the first I watched from Toledano/Nakache starring Omar Sy, I would say it has its moments but mostly displays immature story-writing/story-telling skills. Now this comes after the tremendously successful Intouchables, and I am left wondering what went wrong.Samba is another adaptation, but unlike Intouchables you don't have powerful core dynamics. Samba is a nice boy, Alice is a nice girl and both are just thrown in the middle of a distressing world that is too harsh on them. They try to cope with it but they are basically passive characters so it really gets boring as the story piles up scenes that just drag along these fatalistic souls. No matter how gentle and touching they are: we get this point pretty early on.Maybe Toledano/Nakache fell in love with the book Samba is based on and of course nobody would challenge them after Intouchables. This is what plagues talent most: self-doubt and sycophants. Apparently working as a team didn't preclude them from getting over with the Intouchables hangover (I guess they have families and couldn't step aside from the madness).Samba is hardly an interesting story. The ordeal of undocumented aliens was surely a very interesting idea as a background for a real story, with characters that actually try and choose to change their lives. Unfortunately in Samba there is only this interesting background with gentle passive characters barely afloat.