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Hold Back the Dawn

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Hold Back the Dawn (1941)

September. 26,1941
|
7.3
|
NR
| Drama Romance
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Romanian-French gigolo Georges Iscovescu wishes to enter the USA. Stopped in Mexico by the quota system, he decides to marry an American, then desert her and join his old partner Anita, who's done likewise. But after sweeping teacher Emmy Brown off her feet, he finds her so sweet that love and jealousy endanger his plans.

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BroadcastChic
1941/09/26

Excellent, a Must See

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Fairaher
1941/09/27

The film makes a home in your brain and the only cure is to see it again.

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Mehdi Hoffman
1941/09/28

There's a more than satisfactory amount of boom-boom in the movie's trim running time.

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Sienna-Rose Mclaughlin
1941/09/29

The movie really just wants to entertain people.

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MartinHafer
1941/09/30

The summary is NOT meant as a criticism. The Looney Tunes character, Pepe le Pew, was obviously based on Charles Boyer and in the film "Hold Back the Dawn" Boyer is at his le Pew best--pouring on the charm as he very aggressively courts a young lady!When the film begins, George (Boyer) insists on talking to an American film director (actually, the film's real director, Mitchell Leisen). He wants to tell him his story...as perhaps it will make a great film. The story then jumps to Mexico. George is a Hungarian refugee...and like so many refugees during WWII, he's trying desperately to get into the States. However, there was a quota system...with entry quotas for every nation decided by Congress. And, the Hungarian quota's already been met...meaning he will have to wait years in Mexico before he can legally immigrate! However, later he meets up with an old friend, Anita (Paulette Goddard) and she tells him that he could easily bypass the quota if he could just find some American sucker to marry! So, George goes in search of such a woman and after a day of searching, he hits upon a lonely American school teacher, Emmy (Olivia de Havilland) who has taken her young students to Mexico for a field trip. Their romance is whirlwind to save the least and the wicked George plans to dump her as soon as he can and connect up with Anita! But, fortunately, things don't quite work out this way. See the film to see what follows.The film presented a couple questions to me. Why cast a great French actor as a Hungarian? Why not have him play a Frenchman? Also, what sort of an insane school and school teacher would think of taking elementary school-age kids to Mexico for a field trip?! The logistics of it are a problem...plus it IS another country! Weird, huh?! Despite these minor problems, I did love this film. Boyer was simply at his best and the script is very compelling. In fact, it's a near perfect film and one that would make a great date night trip.

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GManfred
1941/10/01

A quick watch at the first 20 minutes makes you think this one shouldn't be close; oily smooth operator Charles Boyer, a continental gigolo and dancer vs small town schoolmarm Olivia De Havilland. Blowout. Game over. But Hollywood has a way of evening the sides with a first class script and a great storyline.As noted, Boyer is trying to enter the US via Mexico just prior to WW II. In those days it was a long wait - about 6-8 years, he was told. What to do? He discovers he can get in almost immediately as the spouse of a US citizen, and he finds one in sitting duck De Havilland, who is conducting a class trip south of the border. There are several side stories attendant to this one, but they fade into the background of this intensely dramatic love story of deceit and redemption. Boyer always came across to me just as he does here, a conniver and a liar ("Gaslight", "All This And Heaven Too") and he was pitch perfect in this one. Olivia De Havilland, vulnerable and sensitive as always, got an AA nom for her work here - the film earned 6 AA nominations in all.Immigration problems seem like something from the middle ages nowadays, when there seems to be a turnstile at the border. This gives the picture a very dated feel. Some, like myself, may not care for the artificial ending but the two principals endow this movie with loads of heart and make it a winner. Too bad you can't see it, unless you find a DVD pirate and buy a copy.

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bkoganbing
1941/10/02

As was the pattern of her career at this point Olivia DeHavilland was getting her best roles away from her home studio of Warner Brothers. No matter what she accomplished away from Warner be it an Oscar nomination for Gone With The Wind and for this film, Jack Warner resolutely refused to see her any heavy dramatic parts. His view of DeHavilland as the leading lady waiting patiently for her man to accomplish his mission remained transfixed throughout her tenure at Warner Brothers.I'm sure that given what she accomplished in Gone With The Wind, Warner got quite a sum from Paramount for her services for Hold Back The Dawn. In it Olivia plays a schoolteacher on holiday in Mexico with some boys from her class. But depending on your point of view she's unlucky enough or lucky enough to meet Charles Boyer who is a Romanian refugee wanting really bad to get to this country.Boyer is a part time tango dancer and full time gigolo and his partner Paulette Goddard has already gotten US citizenship by marrying a jockey from Agua Caliente racetrack and later divorcing him. She wants to resume her association with Boyer professionally and personally and Goddard urges him to romance some American tourist and do what he does best and get married.Which is when Olivia falls into Boyer's life. She's young and naive and full of illusions and he really starts to hate himself, romancing some worldly dowager for money is one thing, but Olivia's trust gets to him. He actually commits a sacrifice of sort in this relationship.Although DeHavilland got the Oscar nomination for me Boyer makes the film. The change that comes in his character come subtly and gradually and the tools to do it and the guidance come from script writers Billy Wilder and Charles Brackett and director Mitchell Leisen. Boyer gives a very subtle performance that should have received more recognition.Not to say Olivia didn't deserve her recognition coming in the form of that Oscar nomination for Best Actress. In fact she was the betting favorite to win, but her sister Joan Fontaine beat her out with her performance in Suspicion. As is part of movie legend these two sisters were quite competitive and this didn't help the relationship.In fact Hold Back The Dawn got six Oscar nominations including Best Picture, but came up short for Paramount. Still it's an impressive piece of work even seventy years after it was first released.Also note the performances of Walter Abel as the immigration official and Rosemary DeCamp another refugee who finds her own method of entrée into the good old USA.I hope it comes out on DVD at some point.

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Alex da Silva
1941/10/03

Charles Boyer (Iscovescu) is a Romanian gigolo who applies to enter the US and is told that he will have to wait 8 years, so he rents a room in a Mexican border town and waits. In to the town comes Paulette Goddard (Anita) who is his ex-partner in both romance and pulling scams across Europe by preying on the wealthy. She has got herself American citizenship and points Boyer in the right direction. All he has to do is marry an American citizen and he can gain his entry in about a month. Thus begins the search for an American bride who Boyer can marry, gain access into the US, get a quick divorce and then team up with Anita once again to fleece the rich. Enter school-teacher Olivia de Havilland (Emmy). However, immigration officer Walter Abel (Hammock) is wise to the plan and does not intend to let Boyer get away with things.The film is overlong with certain scenes that stretch proceedings a little tiresomely, eg, the schoolchildren, the visit to a Mexican village and the rather painful reciting of some nonsense on a plaque that supports the Statue of Liberty.....oh for goodness sake.....get on with the film....! However, set against this, Boyer and Goddard are good in their roles and their performances elevate this film to the score I have given as the story alone isn't fast-moving enough to maintain interest. I found de Havilland a bit too soppy and so not as interesting a character, although she has her moments towards the end. Walter Abel does a good job as the immigration officer but the rest of the supporting cast at the hotel are all quite irritating. We didn't need any of them for the story.Boyer does everything with such smoothness that I'm sure he could have slept with the whole cast if he chose to. After all, it's what French people like to do. That and performing mime routines.

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