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The Kingdom of Dreams and Madness

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The Kingdom of Dreams and Madness (2013)

November. 16,2013
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7.7
| Documentary
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Follows the behind-the-scenes work of Studio Ghibli, focusing on the notable figures Hayao Miyazaki, Isao Takahata, and Toshio Suzuki.

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Reviews

GamerTab
2013/11/16

That was an excellent one.

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Murphy Howard
2013/11/17

I enjoyed watching this film and would recommend other to give it a try , (as I am) but this movie, although enjoyable to watch due to the better than average acting fails to add anything new to its storyline that is all too familiar to these types of movies.

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Taha Avalos
2013/11/18

The best films of this genre always show a path and provide a takeaway for being a better person.

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Sarita Rafferty
2013/11/19

There are moments that feel comical, some horrific, and some downright inspiring but the tonal shifts hardly matter as the end results come to a film that's perfect for this time.

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rolfesam
2013/11/20

If you love films as a passion go watch this.If you love films as an art go watch this.If you love animation go watch this.If you want to see a glimpse of the magic of film go watch this.This documentary is something special. If you don't know already this documentary follows one of the greatest animators of all time, Hayao Miyazaki, as he works on what is likely his last film, the Oscar-nominated 'The Wind Rises". This small peak behind the scenes is something of an oddity among documentaries. Where as so many documentaries are focused on presenting the facts of a topic to light in a way that is both non- biased and easy to understand 'The Kingdom of Dreams and Magic' prefers to forgo this and instead attempt to provide emotion to its viewers as well as leave a lot of subjects and stories untouched or unfinished in a way that makes me think that the documentary film makers behind the camera never had any intention in attempting to make the famed studio Ghibli any less magical. I have to believe that this was done purposefully to protect the magic of the studio to which the title of this documentary alludes. If you are reading this and wondering why I'm being so vague about describing the actual goings on of the documentary it is because I feel the emotion of what I saw in this film can never be translated properly to the written word. If you ever watched a movie of Hayao Miyazaki then watch this flick, it will only make you respect the man, the studio, and the films even more.

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kennybass-25907
2013/11/21

The Kingdom of Dreams and Madness is a documentary following the life of legendary anime writer Hayao Miyazaki. This documentary focuses on the mannerisms, quirks, and what drives Miyazaki to do what he does as both an artist and a storyboard creator. The ideal audience for this film would obviously be fans of the works of Hayao Miyazaki, but even if you are not familiar with his works you could still watch it and get full enjoyment out of it. Before you watch this film I do recommend watching other films by Miyazaki such as Spirited Away, The Wind Rises, and My Neighbor Totoro, so as to gain understanding of his style. While watching this film you may notice the great detail Miyazaki goes into in each aspect of his life, both professional and personal. Notice the way he writes his storyboards diligently every day, or watches the sunset every evening. Miyazaki is not one to leave others to do his work for him while he sits idly by. The documentary focuses on the struggles he has pushed through to be as successful as he currently is, though I doubt he would own up to his success due to his humility. Miyazaki writes more than stories, he writes metaphors and wisdom. If you watch this film with an open eye you will see the symbolism that seems to be prevalent throughout his movies. The way the camera will focus on the sunset or close in on a phrase seen on the wall all have inverse meanings. Keep your eyes open and you will see between the blurred lines of the camera lens. A main point Miyazaki pushes is to not lose focus on the deeper meaning of his grand tales because they are animated and supposedly for children. This film notes that in his youth Miyazaki lived through an air raid that left him with an awe and appreciation towards flight. Specifically in the A6M3 Zero or just Zero aircraft which he has had an addiction to draw perfectly for many years now. During the film Miyazaki follows the life of Jiro Horikoshi, the creator of the Zero and notes that all of men's dreams are cursed. He believes that no matter what you do or create, it will eventually be used for evil. Miyazaki even believes that philosophy about his own works. Miyazaki feels that the government has become too restrictive of what he can and cannot write about which makes him even more militant to what he wants to write. Though he is vigorous, his vigor will one day run out and he fears there will not be anyone to take his place. In my humble opinion I would say this film is very informative and exciting to the audience it is trying to reach. Others may find it dragging in some places, but may still find it intriguing.

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Ben Davis
2013/11/22

Overall, I really liked this documentary, but it does have some problems I can't ignore. As someone who loves Studio Ghibli, it was really cool to see how the films I love are made, even if it only shows creation scenes from The Wind Rises. Seeing how animation legends like Hayao Miyazaki and Isao Takahata go about their days, I felt, were fairly interesting. What I didn't like, however, was that it didn't go super deep into how other Ghibli films were made, it doesn't go that deep into how the company was formed, and Miyazaki and Takahata never really talk about their own films. I would have loved to hear what inspired them to make those films and what it meant to them personally. But, then again, I don't think they were even going for that. I just think the movie would have been more interesting if they had done what I wanted. Anyway, despite these flaws, I would still recommend this movie. Only to those who love Ghibli though. Everyone else will be quite bored.

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Kicino
2013/11/23

A very impressive and honest portrayal of the great Japanese animation creator/director Hayao Miyazaki. Documentary director Mami Sunada shadowed the animation director as he created his latest work – When the Wind Rises. Sunada seemed to have full access to the studio and home of the director, taping company meetings, interviewing and recording some of the 400 employees at work at the Ghibli Studio in west Tokyo. Interspersed in the latest development of the script and creation process were the complicated relationship, partnership and friendship between Miyazaki and Isao Takahada, who bought Miyazaki into the field of animation years ago. He was directing the animation The Tale of Princess Kaguya which was scheduled to show in Japan the same year as When the Wind Rises. Never to be missed was the portrayal of micro- managing producer Toshio Suzuki who had been working between the two giants for more than half of a century. It is moving watching archive footages of these three young men working closely for and dedicated more than half of their lives to this field. Long terms friends and work partners, they have gradually grown into three graceful yet a little stubborn artists. You cannot help but admire their respect for their passion. Also valuable was how candid Miyazaki was in front of the camera, revealing his philosophy, emotions, contradiction, hesitation and imagination. At 72, he is still lively and fun as a child and dreams of all kind of crazy ideas. Excellent editing here to insert clips of the animation which made his dreams come true. We also see his deepest respect for life and ordinary things around him. In many ways, he reminds me of the grandfather in Heidi: A Girl from the Alps, directed by Takahata in 1974, particularly when Miyazaki has his apron on almost all the time.I watched this after visiting the exhibition on Studio Ghibli Layout Designs: Understanding the secrets of Takahata and Miyazaki Animation at the Hong Kong Heritage Museum. It was much less interesting than the visit to the Ghibli Studio in Tokyo but the exhibit offered a closer look at some of the tediously detailed hand-drawn artwork which I later saw in this film. Similar to Miyazaki's animation work, the studio was warm and filled with natural light. The work style is informal, fun and loving though Miyazaki can be hard to work with at times. It looks like a fun place to work. Now, having learned more about how Miyazaki created his various animation works, I would sure watch his work again in new lights.

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