The Actors (2003)
During the run of a particularly awful interpretation of Richard III, the star, Anthony O'Malley, begins to frequent a rough pub to develop his character. He meets Barreller who he discovers owes someone he's never met a considerable sum of money. Seeing an opportunity to make some fast money, O'Malley convinces hapless extra, Tom, to meet Barreller as the debt collector.
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I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.
Masterful Movie
Absolutely Fantastic
It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.
Michael Caine usually appears in either very good ("Blame It On Rio", "Sleuth", "Without A Clue", "Gambit", "Dirty Rotten Scoundrels") or truly bad comedies ("Noises Off", "Death Becomes Her", "Harry & Walter Go To NY"). This falls into the latter category.TA is a comedy that succeeds in only two things: managing to waste a cast that includes Caine, Gambon and Richardson, all of which have comedic abilities, and succeeding in its mission not to make the viewer laugh. There isn't a single truly funny moment here. The main reason is the lousy script; there was so much futile effort put into writing a pointlessly convoluted story which is simply too bothersome to follow (considering it's only a comedy) that the writer(s) forgot to make the damn thing funny, which, as far as I can recall, is what the whole point of a comedy is supposed to be.I've never seen this Moron before. Some people even say "if you're a Moron fan you'll love this" bla bla bla. A Moron fan? Does this non-descript person really have fans? A comedy as badly written as this requires a mega-talent to eke out a laugh or two out of it, someone like Steve Coogan and not your average Moron.If you're going to make a comedy about actors then at least make them out to be the utter morons that they usually are. The characters of Caine and Moron are insufficiently dumb.The single most annoying thing about this unfunny collection of scenes is the little girl. Only a truly horrible writer would think that to spice up a lousy script it's wise to include a super-intelligent wise-ass kid. Smart-a** kids aren't even funny to Bill Cosby fans any more. In "Little Miss Sunshine" we had a totally normal kid and she was very funny. This stupid ol' the-kid-is-smarter-than-the-adults shtick belongs to a century-old Marx brothers film.
After watching this movie I was depressed for the rest of the day. I hated it, it was boring. I didn't understand the story at all, it's possibly one of the worst movies that I have ever seen.
I know this film has had a fairly rough ride from the critics, but I have to say that I thoroughly enjoyed it. The real star here is the fantastic Dylan Moran. He never fails to be both hilarious and convincing in all of his varied disguises. He also manages to radiate a sweet charm that belies his outrageous pratfalls. Special mention must also go to Michael Gambon who plays for laughs with a brilliantly accurate and yet comedic inner city Dublin accent. The only weak link is Caine who, while obviously having a great laugh hamming it up, plays the least interesting and most unsympathetic character. It probably won't play that well overseas but it's well worth a watch all the same.
The gags don't always come off, but the overall effect is amusing enough. Dylan Moran is perfectly cast as Tom, a loser actor. Caine is not challenged O'Malley but I didn't find him very funny. Unusual to find Michael Nyman music in a comedy, but it works well. It is a pity there were only bit parts for Michael McElhatton and Deirdre O'Kane. Good fun.