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Animal Instincts

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Animal Instincts (1992)

October. 21,1992
|
4.9
|
R
| Drama Thriller
AD:This title is currently not available on Prime Video
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A cop and his sexually frustrated wife are struggling to keep their failing marriage intact, when by chance she finds that he is at heart a voyeuristic peeping tom. To satisfy him and herself, his wife has numerous affairs, which her husband watches on closed-circuit televison. However, the pair soon learn that when you play with fire, you'll always get burned.

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Reviews

Matcollis
1992/10/21

This Movie Can Only Be Described With One Word.

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Kodie Bird
1992/10/22

True to its essence, the characters remain on the same line and manage to entertain the viewer, each highlighting their own distinctive qualities or touches.

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Billie Morin
1992/10/23

This movie feels like it was made purely to piss off people who want good shows

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Quiet Muffin
1992/10/24

This movie tries so hard to be funny, yet it falls flat every time. Just another example of recycled ideas repackaged with women in an attempt to appeal to a certain audience.

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jmrecillas-83435
1992/10/25

This is my first review on IMDB, which show you the particular way I see movies and think about it.Some things have change in the way we look at movies, specially in the light of recent scandals on Hollywood concernig the way women, but not only they, has been treated by studios or high executives and producers. We have to acknowledge that erotic cinema contains and portrait that what feminists call Sexual objectification. Yes, erotic cinema is made by men for men, voyeurist men, and portraits women as an object, an object of male desire (that what Tennessee Williams call in his 1947 play A Streetcar Named Desire). So, we can't, or we shouldn't forget that women portrayed in this kind of films are that kind of object. This doesn't mean that you cannot enjoy a movie or doesn't watch properly if you forget this. I want to point out that in order to acknowledge our debt with women. It's also important underline that erotic cinema is a variety of male voyeurism, since there isn't erotic cinema for women.Considering all this, it is possible to say that this movie represents one of the highest, if not THE HIGHEST example of this kind of cinema. What it makes an erotic movie a visual and endure experiencie? Is not the plot, usually very shallow and silly, underlying the submisive aspect of the female character, which always is involved in some of silly activity which leads her to a sexual activity, and the display of what men can call 'the beauty of the female body' for voyeuristic purposes: men should see and enjoy the way the female character is conducted into intercourse, wether she has been established as a weak personality that has to be rescued, or a strong and bad character that uses her sexuality to achieve her goals.In this case, Shannon Whirry embodies the first kind of character, with all the cliches that voyeuristic erotic cinema requires for an adequate developement. This means that we are not befora a novelty on which means the plot of the story. What it makes this flick a memorable experience is all de cinematic photography, no matter how cliché this results. Shannon Whirry is captured in that voyeuristic spirit that is mesmerizing watch her doing what in real life she usually doesn't do it: enjoy hersefl as she was watching another woman (or man) as she put her underwears since the very beginning of the film.There is no way that a real woman behave herself as she on screen. But that is the magic of voyeurism for men: to look a woman enjoying so much herself as the voyeurist do it. In that sense, there is no other film, before or after this, that captures what 'spirit of watching' is supposed to be.Shannon Whirry looks absolutely masterfully, beautifully captured on film as never other woman has been or will be. She looks astonishingly breathtaking, no matter how silly and cliché is the plot of this movie. Yes, she embodies the highest point ever achieven on Sexual objectification, but we have to admit that never a woman look so impressive in underwear as she looks on here, and the cinematic rhythm is just awesome, astonishing, mesmerizing. An absolute memorable cinematic experiencie for men, and probably for some women too.

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rica zoza
1992/10/26

i never get tired of seen of this movie, tat is by far the best erotic movie ever ,every performance is quit exciting since the beginning when she is sitting in the chair making up with that hot black outfit, who wears beautifully.. i like the way she talks and smile very sexy woman,i like how she tells the story and recalls almost moaning..oh deliciousmy favorite scene is when she encounters with her husbands friend ,and offers have a threesome later after they first meet and she wears elegant clothes and a sexy rope...wow what a piece of woman!i recommend it a lot if you don't see it yet, is very good b-movie

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Scarecrow-88
1992/10/27

Animal Instincts has quite a cast of characters for such a trashy movie. The delectable Shannon Whirry(the camera worships every inch of her succulent, ravishing body)is the bored wife of an underpaid cop who is consumed with money and what it brings. David Carradine is a drug-dealing pimp who operates a strip club and is tired of councilman Jan Michael Vincent, on a crusade against titty bars so that he can be elected mayor. Maxwell Kaulfield is the cop husband of Whirry who catches her in bed with the cable repair man and finds that he is aroused seeing his wife having hot sex with other johns. Setting up camera equipment and recording Whirry's trysts with powerful men such as lawyer, doctors, and other prominent clientèle offers an opportunity for Kaulfield to make some easy cash, and attempts to blackmail, through Carradine, Vincent when they have him on tape screwing around with an unknown woman in a mask. Sleazy premise provides director Gregory Dark with a chance to film soft-core sex between Whirry and a host of men(..and Delia Sheppard who actually offers to take her to Paris!). We get to see her in lots of lingerie and plenty times naked. John Saxon stops by at the tail end of the movie, an attorney representing Whirry and Kaulfield, feeding the press a cock-n-bull story about a woman's case of nymphomania due to a reaction towards a prescribed drug and how her husband was actually attempting to help her with such a problem by addressing what it was that affected their sex life. Carradine seems right at home in this smut and Whirry is rather comfortable and uninhibited in front of the camera performing..for quite a jubilant audience, I presume(..unless you are bothered and/or disturbed by the naked body of a gorgeous woman). The material is quite raunchy, but photographed in such a seductive way, mainly because, in my opinion, Whirry commands your attention. And, she has this smooth voice and soft lips which can only heighten her hypnotic grasp over you if you are willing to let go, allowing her to work her magic spell. The film is told in flashback with Whirry interviewed by a journalist, as she returns us to her story's origins. Many of the sex scenes are cut rather short, not getting too explicit. Vincent and Saxon have roles that aren't that significant, with each maybe in the movie five minutes tops. Carradine, however, makes quite an impression, he's such a maleficent, poisonous creature, and has some memorably depraved dialogue, where his character speaks fondly of his profession, the kind of man he is, pride evident in how he talks about himself.

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Jackson Booth-Millard
1992/10/28

When I first saw the title I guessed it was something to do with actual creatures, but in my younger days I was much happier with what actually appeared, seeing it again however was a good idea to get a better opinion. Basically Joanna Cole (Shannon Whirry) feels the passion in her relationship with police officer husband David (Maxwell Caulfield) is going, it is like he is not interested in her anymore, and she is sexually frustrated. Needing some sexual attention and passion she does have sex with another man, which David sees and does nothing about, and the second time he catches her again, watching her a little bit, before getting rid of him. He makes it clear to Joanna that he is not angry at all, he has found a higher attraction for her through his love for voyeurism, and both agreeing they decide to have some more fun. So they get an article put in the newspaper advertising for men, women and couples to join Joanna for the evening for sexual passion, while David with the hidden camera watches on screen and gets turned on. Of course slowly they realise there are small consequences with what they are doing, including getting a gangster come in on them and force the husband to blackmail gangster like crook William Lamberti (Kill Bill's David Carradine). Also starring Jan-Michael Vincent as Fletcher Ross, Delia Sheppard as Ingrid, Mitchell Gaylord as Rod Tennison, John Saxon as Otto Van Horne, Josh Cruze as Hernandez, Tom Reilly as Ken, Erika Nann as Dianne, Kelly Royce as Jessica and Frank Swann as Officer Tom. Naturally being a teenager it was easy for me to be turned on to the sight of Whirry with another woman and exposing her breasts very often, as well as the occasional sights of other women in the film naked, but it is a rather ridiculous story that only soft porn can come up with, and not even sexual scenes can save it being dull, why did Carradine agree to be in it? A silly erotic thriller. Adequate!

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